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Documents New York City Ballet (Compagnie de danse) 14 résultats

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9

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Cote : 792.8092 H763m 2022
" Based on decade of unprecedented research, the first major biography of Georges Balanchine - a broad-canvas portraits set against the backdrop of tumultuous century that shaped the man "The new York Times" called " the Shakespeare of dancing"

Arguable the greatest choreographer who ever lived, Georges Balanchine was one of the cultural titans of the twentieth century. He created more than four hundred ballets, including "Serenade", "Agon" and his now iconic version of "The Nutcraker. His radical approach to choreography reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviewa and research in archives across Russia, Europe, and the Americas, Jennifer Homans'S "Mr. B." carries us through Balanchine's tumultuous and dramatic life and into the making of his extraordinary dances.

Balanchine's Life intersected with some of the biggest historical events of his century. Born in Russia under the last csar, Balanchine experienced th upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-fonder of the New York City Ballet, he pressed ballet in América to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages - all to dancers - and many loves. We follow his bouts of ill health and spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage.

With full acces to Balanchine's papers and many of his dancers, Jennifer Homans. the dance critic for "The NEw Yorker" bd a former dancer herself, had spent more than a decade researching Balanchine's life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography if the man his dancers called Mr. B. " 2e de couverture

Contents
- Introduction : Dead Souls

- Russia
Chapter 1 : Happy Families
Chapter 2 : Icons of Childhood
Chapter 3 : War and peace
Chapter 4 : A Cloud in Trousers

- Russia Abroad
Chapter 5 : Weimar Culture
Chapter 6 : Big Serge
Chapter 7 : Apollo
Chapter 8 : Magic Mountain

- America
Chapter 9 : Lincoln
Chapter 10 : New York
Chapter 11 : Time of Troubles
Chapter 12 : Zorina
Chapter 13 : Balanchine's War
Chapter 14 : Lincoln's War
Chapter 15 : Company
Chapter 16 : Disciplining the Body
Chapter 17 : Tanny and Jerry
Chapter 18 : Agon
Chapter 19 : Cold War
Chapter 20 : USSR
Chapter 21 : Master Builder
Chapter 22 : Don Quixote
Chapter 23 : The Alabaster Princess
Chapter 24 : A Legion of Angels

- The end of the dance
Chapter 25 : Aging
Chapter 26 : Time to Go!
Chpter 27 : The Mortal End
Chapter 28 Funeral March
Chapter 29 : Adagio Lamentoso

Bibliographe et index[-]
" Based on decade of unprecedented research, the first major biography of Georges Balanchine - a broad-canvas portraits set against the backdrop of tumultuous century that shaped the man "The new York Times" called " the Shakespeare of dancing"

Arguable the greatest choreographer who ever lived, Georges Balanchine was one of the cultural titans of the twentieth century. He created more than four hundred ballets, including "Serenade", "Agon" and ...[+]

Balanchine, George, 1904-1983 ; Biographies ; Ballets russes (Compagnie de danse) ; Kirstein, Lincoln, 1907-1996 ; Zorina, Vera, 1917-2003 ; New York City Ballet (Compagnie de danse) ; Le Clercq, Tanaquil, 1929-2000 ; Agon (chorégraphie : Balanchine) ; Don Quixote (chorégraphie : Balanchine) ; 20e siècle ; Histoire de la danse

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Cote : 792.8015 D391d 1986
"(...) As dance critic, first for 'Modern music' and then for the 'New York Herald Tribune', and as a contributor to numerous magazines and journals ('Ballet', 'Dance magazine', 'Mademoiselle', and 'Evergreen review' among them), Denby permanently changed the way we think and talk about dance. Now, for the first time, almost all of his dance writings (including pieces never before published in book form and the original versions of many pieces that were previously cut or changed) are brought together in one volume.
The reviews from 'Modern music' and the 'Tribune' are presented here chronologically, and they provide not only a picture of how Denby's dance theories and reviewing methods evolved, but also an informal history of the dance in New York from 1936 through 1945. (...)" -- P. [4] de la couv.

Comprend des notes bibliographiques.
Comprend un index.[-]
"(...) As dance critic, first for 'Modern music' and then for the 'New York Herald Tribune', and as a contributor to numerous magazines and journals ('Ballet', 'Dance magazine', 'Mademoiselle', and 'Evergreen review' among them), Denby permanently changed the way we think and talk about dance. Now, for the first time, almost all of his dance writings (including pieces never before published in book form and the original versions of many pieces ...[+]

Danse moderne ; Ballet ; Critique de danse ; Histoire et critique ; Essai ; Etats-Unis ; Années 1930 ; Années 1940 ; New York City Ballet (Compagnie de danse) ; Balanchine, George, 1904-1983 ; Nijinsky, Waslaw, 1890-1950 ; Ballets de Monte-Carlo (Compagnie de danse) ; American Ballet Theatre (Compagnie de danse) ; Cunningham, Merce, 1919-2009 ; Graham, Martha, 1894-1991 ; Massine, Léonide, 1895-1979

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Cote : 792.80016 F245h 2002
" By the time she retired from the stage in 1989, Suzanne Farrell had archives a career that is without precedent in the history of ballet. This memoir,[...] recount Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on the stage all over the world" [4] couv.

Danseurs professionnels ; Ballet ; Jeunesse ; Arts du spectacle ; Opéra ; Balanchine, George, 1904-1983 ; New York City Ballet (Compagnie de danse) ; Biographies

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Cote : V792.845 B171c 1977
Générique : Tzigane / musique, Maurice Ravel ; costumes, Joe Eula. - Andante from Divertimento No.15 / musique, Wolfgang Amadeus Mozart ; costumes, Karinska. - The Four Temperaments / musique, Paul Hindemith ; costumes, Karinska. - Emeralds / musique, Gabriel Fauré ; costumes Karinska. - Diamonds / musique, Peter Ilyitch Tschaikovsky ; cosutmes, Karinska. - Stravinsky Violin Concerto / musique, Igor Stravinsky ; costumes, Karinska. - lumières, Ralph Holmes ; maquillage, Norma Gerson ; photographies, Martha Swope.

Dépouillement : Partie 1. Tzigane -- Andante from Divertimento No.15 -- The Four Temperaments -- Partie 2. Emeralds from Jewels -- Diamonds from Jewels -- Stravinsky Violin Concerto.[-]
Générique : Tzigane / musique, Maurice Ravel ; costumes, Joe Eula. - Andante from Divertimento No.15 / musique, Wolfgang Amadeus Mozart ; costumes, Karinska. - The Four Temperaments / musique, Paul Hindemith ; costumes, Karinska. - Emeralds / musique, Gabriel Fauré ; costumes Karinska. - Diamonds / musique, Peter Ilyitch Tschaikovsky ; cosutmes, Karinska. - Stravinsky Violin Concerto / musique, Igor Stravinsky ; costumes, Karinska. - lumières, ...[+]

Ballet ; Balanchine, George, 1904-1983 ; Pièces chorégraphiques ; New York City Ballet (Compagnie de danse)

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