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Documents  Dance Books | enregistrements trouvés : 11

     

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9

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Cote : 792.801 M143p 2011

"This work is a comprehensive account of central issues in the philosophical aesthetics of dance, intended for the interested general reader as well as for the postgraduate student. Its fundamental consideration is of danceworks that are artworks. Typically these are performables: they can be re-performed on another occasion or in another place. So discussion begins from whether or not two performances are of the same dancework: that is, from issues of 'work-identity'. Here, notationality (rather than an extant notated score) is stressed, and the idea of an adequate notated score for a dancework is introduced to reflect the normativity of scores. The text explores (a) the making of dance - in particular, locating the conceptual role of authors of dances; (b) the distinctive role of the dancer; and (c) the understanding and appreciation of dances. Both dance-making and dance-understanding are addressed since the 'identity' issue can arise in the staging of a particular dance; whether the perspective is that of the choreographer or that of the dancer; where the concern is with the appreciation of a particular dancework; or, again, when a dancework from the past is being reconstructed. (...)"--P[4] de la couv.

Comprend des notes bibliographiques ainsi qu'une bibliographie.
Comprend un index.

Public motivé.
"This work is a comprehensive account of central issues in the philosophical aesthetics of dance, intended for the interested general reader as well as for the postgraduate student. Its fundamental consideration is of danceworks that are artworks. Typically these are performables: they can be re-performed on another occasion or in another place. So discussion begins from whether or not two performances are of the same dancework: that is, from ...

Esthétique ; Philosophie ; Danse ; Transfert d'apprentissage ; Authenticité (art) ; Art de performance ; Improvisation (danse)

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Cote : 792.80942 B859s 2001

"(...) After 1607 dance occurs in almost all of Shakespeare's plays, in such a way that it reflects and expresses the fusion of tragic and comic elements which characterize most of them. The closing chapters show how the dance relates to the cosmic ideas and imagery of these last plays from Perides to Henry VIII and suggest certain influences from the spectacular court masques of the time. In presenting his argument the author, who is a dance critic as well as an Elizabethan scholar, has drawn on manuscript sources, a wide range of contemporary writing, including dance manuals, and his own ideas in dance and theatre. This is a book for students and scholars, for editors, for theatre directors and for those interested in Renaissance dance. It is a book for everyone who delights in the riches of Shakespeare and the age in which he lived."--P.[4] de la couv.

Comprend des notes bibliographiques ainsi qu'une bibliographie.
Comprend un glossaire.
Comprend un index.
"(...) After 1607 dance occurs in almost all of Shakespeare's plays, in such a way that it reflects and expresses the fusion of tragic and comic elements which characterize most of them. The closing chapters show how the dance relates to the cosmic ideas and imagery of these last plays from Perides to Henry VIII and suggest certain influences from the spectacular court masques of the time. In presenting his argument the author, who is a dance ...

Shakespeare, William,1564-1616 ; Ballet de cour ; Théâtre ; Angleterre ; Histoire ; 16e siècle

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Cote : 792.8611 R462r 2007

"Dance is a uniquely significant art form, whose primary material is not simply 'the body', but energy as it is used and experienced in movement. Energy is central to discourses of modernity and modernism, in which choreographers and dancers can actively intervene through their innovative use of energy. Mary Wigman, Martha Graham, and Merce Cunningham are key choreographers of the twentieth and twenty-first centuries, whose rhythmic innovations challenged and established norms of energy usage in their socio-cultural contexts, enabling their contemporaries to engage differently with dominant economics of energy.
This book explores the rhythmic innovations of these choreographers by combining discussion of cultural contexts with close analysis of specific dance works. Uses of energy in dance are described and analysed with the aid of concepts drawn from Rudolf Laban's writings, and are theorised with reference to historical, social and cultural contexts and to phenomenological and poststructuralist approaches to the embodied subject, constructing the argument that choreographical innovation - including recent work using digital technologies - involves a process of 'kinesthetic imagination"--P.[4] de la couv.

Comprend des notes bibliographiques à la fin du volume ainsi qu'une bibliographie.
Comprend un index.
Comprend un glossaire.
"Dance is a uniquely significant art form, whose primary material is not simply 'the body', but energy as it is used and experienced in movement. Energy is central to discourses of modernity and modernism, in which choreographers and dancers can actively intervene through their innovative use of energy. Mary Wigman, Martha Graham, and Merce Cunningham are key choreographers of the twentieth and twenty-first centuries, whose rhythmic innovations ...

Force (esthétique) ; Rythme ; Wigman, Mary, 1886-1973 ; Graham, Martha, 1894-1991 ; Cunningham, Merce, 1919-2009 ; Phénoménologie ; Danse moderne

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Cote : 615.85155 W567 2017

Dépouillement: Part 1. "A breath of fresh air, an account of a project / Brenda Mallon and Miranda Tufnell. -- Part 2. Approches to practice. - Breath. - Touch. - The practice of saying yes / Eva Karczag. - Between you and me. - Self care in times of caos and violence / Michal Shahak. - Getting your bearings: movement and sensing. - Towards meaning : body, health and imagination. - "Chance of fair" : writing with people with mental and physical health issue / Kay Syrad. -- Part 3. Laying the foundations: movement in ealry years development / Karen Adcock Doyle and Jasmine Pash. -- Part 4. Practitionner accounts. - What is this pill called dance? : music and movement in hospital / Filipa Pereira-Stubbs. - Harry : the story of a child in hospital / Lisa Dowler, co-written with Kellie Rixon. - Dancing recall : making connections / Daphne Cushnie. - Moving forward with Parkinson's / Amanda Fogg. - Breath and becoming in mental health and addiction / Sister Bridget Folkard. - A dance for buddug / Cai Tomos. - What is health?

Comprend une bibliographie.
Dépouillement: Part 1. "A breath of fresh air, an account of a project / Brenda Mallon and Miranda Tufnell. -- Part 2. Approches to practice. - Breath. - Touch. - The practice of saying yes / Eva Karczag. - Between you and me. - Self care in times of caos and violence / Michal Shahak. - Getting your bearings: movement and sensing. - Towards meaning : body, health and imagination. - "Chance of fair" : writing with people with mental and physical ...

Santé ; Thérapie par le mouvement ; Danse-thérapie ; Créativité ; Médecine ; Handicap ; Cas, Étude de

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Cote : 792.86308 E45a 1974

Comprend une bibliographie.
Livre surligné.

Chorégraphie ; Danse moderne ; Processus de création ; Guides, manuels, etc. ; Chorégraphes ; Vocabulaire ; Improvisation (danse) ; Gestes

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Cote : 613.20247928 M423n 2009

Comprend un index.

Alimentation ; Recettes ; Danseurs ; Santé ; Hygiène du travail ; Poids ; Végétarisme ; Régimes alimentaires

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Cote : 792.863 T914b 2006

Sur la page couverture : 'This important and enjoyable book is full of wisdom and visual insights', David Gothard, co founder Riverside Studios.

Improvisation (danse) ; Performance (sports) ; Corps humain ; Perception ; Processus de création ; Contact improvisation ; Espace ; Pièces chorégraphiques ; Poésie

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Cote : 792.860952 H823d 1999

Comprend une bibliographie.
Comprend un index.

Buto ; Japon ; Ôno, Kazuo, 1906- ; Sankai Juku (Compagnie de danse) ; Danseurs ; Spiritualité ; Bouddhisme zen ; Histoire ; Aspect social

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